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Perception Journal, 2019—2017

Oil painting on canvas, acrylic painting and ultra-chrome inks on canvas, painted leather

Perhaps there is a spiritual significance concealed behind patterns and symbols, embodied in geometric abstraction—I resonate with the language of numbers and flawless shapes, from the Platonic Solids that underpin all designs in the cosmos to the Golden Ratio—the Divine Proportion— and the holy spiral of Fibonacci's sequence, which is embedded in everything from the human body to the spiral arrangement of leaves—but what comes intuitively, it’s madness to anatomise. (Excerpt from Notebooks, Hypostatic Union, 2024 — A. F.)

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