Installation — Fibreglass, acrylic painting, masking tape, varnish; height, 182 cm

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Many times, I use masking tape when I paint. I protect some areas while still being able to maintain the flow of the gesture. My instinct tells me that every bit of removed paper is an invisible, cooperative part of the painting, containing all its qualia. Objects, events, or actions that appear trivial are often clues to larger, invisible phenomena. (Excerpt from Notebooks, November 8th, 2020 — A. F.)